Ore
Press Play, then move the three voice sliders to shape the sound and motion. Motion responds to the live sound; the artwork itself is the latest completed UTC day.
X-Ray
Pulse
Shadow
What you are hearing
Three sensors read Bitcoin's market structure every thirty seconds — one on-chain, one across derivatives, one watching for the things that have stopped happening. They rarely agree.
Each is a voice. How far apart they are tuned is set by how much they agree: at low agreement they sit about sixty cents apart and beat against each other roughly twice a second. As agreement rises the gap narrows and the beating slows toward stillness. You are listening to three instruments arguing about the same market.
The sound is synthesized in your browser and shaped by the latest available observations. An eight-second air buffer loops underneath; the voices themselves follow the data as it arrives.
The plate
A round plate driven at a frequency settles into standing waves. Sand scattered on it collects where the plate is still, tracing the nodal lines Ernst Chladni drew in 1787 — Bessel functions on a clamped disc.
The figure above accumulates the latest completed UTC day — 2,880 plate snapshots superimposed into one image. The player generates sound from the latest available observations. The figure is a computational interpretation inspired by standing-wave patterns, not a claim of physical equivalence.
Every trading day is accumulated into a single image and kept. The archive has them all.
Honestly
There are no healing frequencies here. Solfeggio tunings and the claims made for 432 Hz have no basis, and this project would rather be dull and true than mystical and false.
What is real: two tones close together beat audibly at their difference, and whole-number frequency ratios beat less against each other — which is why agreement sounds like resolution. That is acoustics. It turns out to be enough.